At first, you may think the above two topics have nothing in common. But with the prospect of festivals in the distance featuring probably both, I had time to consider.
Back in the mid-seventies, The Bootleg Beatles were formed. An unusual concept, the next major such group were probably Voulez Vous, a tribute to the defunct Abba. Now, of course, the live music scene is awash with tribute acts. In Leeds we used to have two very good venues, The Irish Centre and the New Roscoe (a smaller version of the former). In the eighties, nineties and noughties the likes of Wishbone Ash, Dr Feelgood, Jefferson Starship, Jack Bruce and many more graced the stage of the former. Now it is almost exclusively tribute acts, Similarly, the New Roscoe hosted Eddie and the Hot Rods, Man , Wilko Johnson and others with not quite the pulling power of the Irish Centre. The venue similarly went down Tribute Boulevard and has since closed.
Sadly punters nowadays would rather see a tribute act than a group producing new music. Accordingly, venues have had to make a business decision which has penalised new music. A short term decision without considering the long term effect. Without new music there would not be these tribute acts playing the songs created by the big names! It was new music at one time! The Who and the Stones started out playing Motown and Chess stuff respectively, then started dropping in original songs. There is no encouragement for musicians to create their own stuff when they can get a quick dollar down the tribute route. The tribute industry is now an infestation.
Think about plastic packaging. It was a great short term concept for eg bottling plants to make their own plastic bottles. Good for profits and good for the consumer, but not realising the long term implications which now confront the globe. I take biodegradeable pint pots to festivals now.
Am I being hypocritical by regularly going to watch the Petty Heartbreakers though!? Maybe a little bit but a) the lads are TP fans and b) it is free!
As the festival season is just round the corner, I thought I would buy a cheap ukulele to take revenge on all the tw*ts who take bloody guitars and churn out 29 minute versions of ‘Knockin’ on Heaven’s Door’ at 2.00a.m. Full weight tw*ts!
So I was planning a Ramones a la ukulele onslaught. BUT, I should have read http://www.gotaukulele.com first! The above piece of wood (I cannot call it a musical instrument) was accurately panned. It is unplayable. OK, it cost me £2.99, but I won’t be taking it back or even be giving it to another charity shop. It would be evil so to do.
It is now next to our solid fuel fire , where it will soon be put to its best use. May even ask Her Ladyship to record a video of my doing a Pete Townshend impression with it.
The original article on this site still gets views. I have finally realised why Mr Powell took such exception to the name Martin Turner’s Wishbone Ash.
It is indeed down to the apostrophe. Like everybody else, I assumed that the name referred to the idea that the ‘Wishbone Ash’ part was the POSSESSION of Martin Turner. Or at least that particular version was. (One of the uses of the figure of speech).
But no! It is the OTHER use of the apostrophe. The one which denotes OMISSION/CONTRACTION. It means Martin Turner IS Wishbone Ash! It’s obvious (it is obvious)!
And it is blindingly obvious to many Martin Turner fans.
Having just posted a review about lack of recent activity, I have just seen a Flying Burrito Brothers 1969 backstage pass advertised on Ebay for a ridiculous amount.
However, the alleged backstage pass has the group logo from the reformed 1974 version of the Burritos! So either the makers were able to see into the future or the seller is, er, not only less than truthful but also stupid.
Apologies if the item is genuine , of course.
They are proudly proclaiming ‘ you can enjoy 3 days with camping for under £100!!’!!
I know I didn’t get the best grade at A level Maths, but although the weekend ticket is £80.00 and the camping ticket is £15.00 (yes, £95.00 and under £100!!) the booking fees are £6.00 and £1.13 respectively plus a handling fee of £1.50.
An extra £8.63 makes the price £103. 63…not ‘under £100.00!!’. I can’t find how to not pay these fees. Pedantic? No, just the truth.
Posted in Rant corner
The Clash…punk gods? Load of tosh. Middle-class, semi pro established musicians by the time ‘punk’ hit us.
See previous review of Neck at Onboard the Craft festival for more
The Della Grants made a very pertinent observation. They implored us to support ‘new’ music, because without ‘new’ music there would not be any ‘old’ music. Spot on lads!